This collection presents new essays in the complex field of French literary adaptation. Using a variety of textual and interpretive approaches, it sheds light on issues of gender, sexuality, class, politics and social conventions while acknowledging a range of contexts, from the commercial to the archival and the aesthetic. The chapters, written by eminent international scholars, run chronologically from The Count of Monte Cristo through Proust and Bonjour, Tristesse to Philippe Djian’s Oh… (adapted for the screen as Elle). Collectively, they fill a need for contemporary discussions on the significance of France’s literary representations in the history of global cinema.
Link did not work. I was unable to email for a new link or refund. Never even received initial email with download link I tried from checkout page.
The download never worked. I'm waiting on my refund.

Secure payment with SSL Encryption.
If you're not satisfied, let us know and we'll make it right.